Embedded In Nature: A Hilltop Art Facility By Japanese Artist Hiroshi Sugimoto
The highly-anticipated permanent space of famed artist Hiroshi Sugimoto’s Odawara Art Foundation has finally found a site to call home. After ten years in the making, artist Hiroshi Sugimoto’s new Odawara Art Foundation acts as a diverse art facility consisting of a gallery space, performance stages and tea house. Situated on a hilltop slope in the local area of Nebukawa in Odawara in Japan’s Kagawa Prefecture, the Enoura Observatory sits amongst the area’s local citrus groves and mandarin farms facing the expansive Sagami Bay.
Known as one of Japan’s most famed photographers, Hiroshi Sugimoto’s artworks extend to sculpture, installation, and architecture in an ongoing partnership with architect Tomoyuki Sakakida of New Material Research Laboratory, seeing their previous designs together include the Izu Photo Museum in Shizuoka and MOA (Museum of Art) in Atami, Japan.
Here, their design for the Enoura Observatory sees the use of technical glass and unpolished Oya stone imbed with historical fossils, sourced from the Tochigi prefecture. The same stone is said to have been used for the Frank Lloyd Wright-designed Imperial Hotel in Tokyo.
Walking around the expansive site, each space is interconnected with the play of light and shadows. Sugimoto designed the same to respond to the natural movement of the sun, with the Summer Solstice Observation Gallery and the 70-metre Winter Solstice Observation Tunnel framing and illuminating the sunrise and sunset from Sagami Bay.
The outdoor performance stage was created using technical optical glass, the same type of glass used for camera lenses aimed to reflect the various light refractions on the stage’s cut surfaces. On a bright day, the stage can be naturally illuminated by the sun. Here, Bunraku and other traditional Japanese theatre performances can be enjoyed whilst facing the spectacular ocean views from the “floating” glass stage and deck supported by hinoki wood and a kakezukuri framework (a traditional frame most commonly seen at traditional temples such as Kiyomizu-dera temple in Kyoto and the Monjudo hall on Mount Mitoku in Tottori).
In the Summer Solstice Observatory Gallery, the space is designed as a gallery and observation deck with seven of Sugimoto’s earliest and famed ‘Seascape’ works found, including the very first photograph in the series from 1980. The seven works are presented in a narrow hallway, with a wall of oya stone on one side and an opposing wall comprised of 37 large glass panes connected side by side with no support – for a completely column-free space. As a visually light structure, the cantilevered roof channels sunlight, as Sugimoto explains; “On the morning of the summer solstice, the sun’s rays rise from the sea and take several minutes to make their way down the full length of this space.”
As quite the destination, Enoura Observatory can be reached via taxi or bus just 10 minutes from the local train station. Visitor numbers are stagnated throughout the day, ensuring that each guest has enough personal space and time to enjoy the area.
Due to the spectacular location, it’s hard not to feel an emotional connection to the design and the surrounding landscape, undoubtedly experiential in any season.
Odawara Art Foundation
362-1 Enoura, Odawara,