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PARKHOTEL MONDSCHEIN

A Rich Cultural History Combined with a Refined Design Aesthetic at this Modern Luxe Hotel

FUFU KYOTO

An Intimate Luxury Hotel that Entwines Traditional Japanese Dining, Architecture and Hospitality with Modern Elegance

JACQUEMUS PARIS

A Pure Interior Led By Playfulness and Surprise

The Gdańsk Shakespeare Theatre

The Charred-Brick 'Black Box' Presenting The Beauty Of Theatre & Performance

GAIA

British Artist Luke Jerram’s Explores The Vastness of Our Earth

Honouring ISSEY MIYAKE

The Legacy Remains: Merging Art & Fashion, East & West, Tradition & Technical Innovation

UNITED PLACES BOTANIC GARDENS

Local and Luxurious, A Melbourne Boutique Hotel That Gets It Right

Naoshima Ryokan ROKA

Designed by Okayama-based studio Nottuo, a New Modern Stay on Japan’s ‘Art Island’

Restaurang ÄNG

NORM Architects Creates A Light-Filled Glasshouse For The Michelin-Starred Restaurant

JAPANESE CRAFTSMANSHIP: BAMBOO WEAVING

In The Quiet Backstreets Of Kyoto's South Higashiya, Find A Master Craftsman

HOMME PLISSÉ ISSEY MIYAKE SS23

As Ever, The Joy Of Movement & Ease of Pleats Prevails

Serpentine Pavilion 2022

Artist Theaster Gates Designs the 21st Pavilion

BRUT-AL

Argentinian-Australian Designer Alexander Lotersztain's Ode to Brutalism

Serpentine Pavilions 2000-2021

A Champ Online Retrospective Of Two Decades of The Radical Architectural Event

PURE FORM

The Art Gallery of South Australia Presents Japan's Avant-Garde Ceramics

KABIRA & KANGRI

The Beauty Of Indian Textile Craftsmanship In ISSEY MIYAKE Sub-Brand HaaT's SS22 Collection

A SECOND LIFE

Matter of Stuff Open the Conversation Toward Sustainable Design during LDF19

September, 2019
PiM.studio | A Second Life exhibition at sketch during London Design Festival 2019

A Second Life is a much needed attempt to highlight the need for sustainability through elevated forms, presented by contemporary design and research gallery Matter of Stuff through a site-specific exhibition at sketch for the London Design Festival 2019. Commissioning one architect and three design studios to create new works from a single raw material, each repurposing 5000 cylindrical pine dowels. 

Our first introduction to the exhibition is through PiM.studio graphic patterned temporary walls lining the hallway of the entrance to the 18th century building sketch has restored – previously housing notable occupants such as RIBA, and the London Atelier of Christian Dior. Both work together to create a juxtaposed visual narrative that in some way shares common ground when defining sustainable timeless design. A party is happening in the adjacent rooms serving Japanese whisky cocktails for the exhibition’s partner, The House of Suntory.

Aesthetically speaking the works from Studio Furthermore is a clear highlight. Whilst it lacks the front and centre of the PiM.studio dowel graphic walls, it’s focus on re-use to the nth degree. Sawdust found in-studio from previous projects reapplied to the dowel with coloured paints, and the subtle use of discreet and energy efficient LED’s, not only provided sublime gradients but provided the most instructive narrative for visitors’ own approach to sustainability.
Latitude Bench by Brodie Neill | A Second Life exhibition at sketch during London Design Festival 2019

London-based Australian designer Brodie Neill used the dowel to construct an elegant lattice-like sculptural bench leaning into a traditional Japanese bamboo construction technique which demanded closer inspection to fully appreciate its intricacy. Neill’s ‘Latitude bench’ will also be auctioned together with the other pieces in the show at the end of October, with all profits going to reforestation charities. Further in the exhibition, Matteo Fogale has collaborated with costume designer Emma Archer, taking inspiration from traditional tailoring techniques to create screens from left over fabrics donated from Kvadrat to dress the dowels fanning elegantly across one another. 

In presenting this body of work I hope it furthers the conversations needed regarding sustainability, and finds its way into the public realm reaching a much larger audience. Championing and discussing work of this nature, connecting with it, and acting upon it is important but the reality is unfortunately we are much too late.

Let’s hope fashionably so, in that we may still enter into the debate and make a lasting impact. Showings like this must act as a call to arms in the battle against ignorance on climate change. For the conversation to travel no further than the beautifully preserved walls of sketch would be a luxury disservice that we can no longer afford.

PiM.studio | A Second Life exhibition at sketch during London Design Festival 2019
Latitude Bench by Brodie Neill | A Second Life exhibition at sketch during London Design Festival 2019
Installation by designers Matteo Fogale and Emma Archer | A Second Life exhibition at sketch during London Design Festival 2019
Installation by designers Matteo Fogale and Emma Archer | A Second Life exhibition at sketch during London Design Festival 2019

sketch9 Conduit Street, Mayfair, London W1S 2XG

A Second Life  ends on November 13, 2019

Words Mark Ringrose | Images as credited

#champ_london

September, 2019