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THE FUTURO HOUSE

In Japan, 1960's Architectural Utopianism That Still Stands To This Day

SATOSHI KONDO’S ISSEY MIYAKE SS22

"Down Below in the Deep, Thrives a World full of Life, Vivid and Beautiful.”

X-RAY FLOWERS

Tokyo-Based AMKK's Latest Radical Exploration Of The World Of Flowers

THE BEST OF SPRING/SUMMER 22

Champ Fashion Editor-at-Large Ciana Mai Selects Her Top 5 Collections This Season

YUICHIRO NODA

The Tokyo-based Photographer On Capturing The Essence of Water, Light and Air — "Something What Cannot Be Seen"

NOGUCHI, A TRUE POLYMATH

The Barbican in London Presents A Concise Look at the Pioneering Artist

KENTA UMEMOTO

Paris-based Photographer on "Finding The Value in Changes, Attempting to Capture The Beauty of Imperfection in Daily Life."

INI ARCHIBONG

“An Object Should Communicate An Idea to the People Coming in Contact With It. It’s a Three-Dimensional Standing Piece of Poetry.”

A-POC ABLE ISSEY MIYAKE / KYOTO

Designer Tokujin Yoshioka Renovates A 200-Year-Old Machiya, Balancing Heritage With Innovation

TOM SACHS: SPACE PROGRAM

Karl Hab Photographs the Rare Earths Launch in Hamburg

MOGANA

Unique To The Rest: A Kyoto Boutique Hotel with Sleek, Design Minimalism And Contemporary Charm

MACq 01

Waterfront Views, Natural Tasmanian Timbers and Modern Design Completes Hobart's Most Conveniently-Situated Luxury Hotel

ABSORBED IN THOUGHT

Artist Lee Ufan Presents New Works at Pace Gallery East Hampton

GENTA ISHIZUKA

A Studio Visit To The Kyoto-based Contemporary Urushi Lacquer Artist

ONSEN RYOKAN YUEN SAPPORO

Overlooking the Stunning Botanic Gardens, A Relaxing Respite in Sapporo

RYOJI IKEDA

The Japanese Artist Presents His Long-Awaited Solo Exhibition in London

LA MOCA

Kerry James Marshall | Mastry | MOCA, Los Angeles (on view until 3 July)

June, 2017

Kerry James Marshall | Mastry | MOCA, Los Angeles (on view until 3 July)

 

MOCA is pleased to present a 35-year retrospective of painter Kerry James Marshall, co-organized by the MCA Chicago, MOCA, and The Metropolitan Museum of Art under the leadership of MOCA’s Chief Curator Helen Molesworth. Marshall’s figurative paintings have been joyful in their consistent portrayal of African Americans. The now nearly 600 year history of painting contains remarkably few African American painters and even fewer representations of black people. Marshall, a child of the civil rights era, set out to redress this absence. “You can’t be born in Birmingham, Alabama, in 1955 and grow up in South Central [Los Angeles] near the Black Panthers headquarters,” Marshall has said, “and not feel like you’ve got some kind of social responsibility. You can’t move to Watts in 1963 and not speak about it. That determined a lot of where my work was going to go…”

​Installation view of Kerry James Marshall: Mastry, March 12–July 3, 2017 at MOCA Grand Avenue, courtesy of The Museum of Contemporary Art, Los Angeles | Photo by Brian Forrest
June, 2017