LA MOCA —Ala Champ
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PARĪLIO

A Luxury Oasis on a Cycladic Island Without the Crowds

DOUBLE DOUBLE

Luxury & Culture Merge At This Contemporary Concept Store in Brisbane Central

BEHIND THE SCENES OF ISSEY MIYAKE AW20/21

Backstage At Designer Satoshi Kondo's 'Making Speaking, Speaking Making'

Hill of the Buddha

Tadao Ando's Lavender-Lined Entrance to the Monumental Structure

LABRUM DESIGNS NATIONAL SPORTS UNIFORM FOR SIERRA LEONE

The Official Kits are for all 16 Disciplines, including the 2020 Olympics

Beauty Innovation 2020

Tokyo-based Design Studio we+ Combine Light, Wind & Shadow For Their Latest Window Installation

KAGIZEN YOSHIFUSA

Kyoto's Traditional Sweet Shop in the Heart of the Renowned Geisha District

THE CALILE

Sustainable In Design; Refined Contemporary Luxury At Brisbane's Most Impressive Urban Resort

SEX MATTER

Legendary Japanese Artist Hajime Sorayama's Latest, Unrestrained, Sci-Fi Erotica

MARUHIRO

Architect Yusuke Seki's Store Interior of 25,000 Discarded Ceramics Continues It's Intended Legacy

DOUG WHEELER

Pioneer Of Light and Space Installations Creates His Latest Work At 81 Years Of Age

YEEZY SEASON 8

Kanye West's Paris Fashion Week Runway Show, Presented at Espace Niemeyer

KWANGHO LEE

The Seoul-based Designer Reimagining Ordinary Materials To Create The Extraordinary

MONA (Museum of Old And New Art)

A Pivotal and Radical Art Museum Situated in Tasmania

Belmond Andean Explorer

Panoramic Views & Impeccable Service on a Journey Through the Andes

CHEF KITAK LEE

On What It Takes To Make A Memorable Dining Experience

LA MOCA

Kerry James Marshall | Mastry | MOCA, Los Angeles (on view until 3 July)

June, 2017

Kerry James Marshall | Mastry | MOCA, Los Angeles (on view until 3 July)

 

MOCA is pleased to present a 35-year retrospective of painter Kerry James Marshall, co-organized by the MCA Chicago, MOCA, and The Metropolitan Museum of Art under the leadership of MOCA’s Chief Curator Helen Molesworth. Marshall’s figurative paintings have been joyful in their consistent portrayal of African Americans. The now nearly 600 year history of painting contains remarkably few African American painters and even fewer representations of black people. Marshall, a child of the civil rights era, set out to redress this absence. “You can’t be born in Birmingham, Alabama, in 1955 and grow up in South Central [Los Angeles] near the Black Panthers headquarters,” Marshall has said, “and not feel like you’ve got some kind of social responsibility. You can’t move to Watts in 1963 and not speak about it. That determined a lot of where my work was going to go…”

​Installation view of Kerry James Marshall: Mastry, March 12–July 3, 2017 at MOCA Grand Avenue, courtesy of The Museum of Contemporary Art, Los Angeles | Photo by Brian Forrest
June, 2017