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UNITED ARROWS & SONS

Dramatic Spanish Columns & Curved Glass Facade in Central Tokyo, Designed by Ricardo Bofill Taller Arquitectura

EIKO ISHIOKA

Crossing All Realms: One of Japan's Greatest Creative Visionaries

U-JOINTS: THE BOOK

A Kickstarter Campaign Begins For A Monumental Encyclopaedic Print Taxonomy of Connections and Universal World of Joints

RIKE LOS ANGELES

In Downtown L.A., The Art of the Japanese Rice Ball Merges With Music, Art & Design

TAJIMI CUSTOM TILES

A New Contemporary Context and Value For The Humble Japanese Tile With Designer Kwangho Lee

TADANORI YOKOO ISSEY MIYAKE

A Piece Of Clothing — And A Legendary Japanese Artist

The Best of Spring/Summer 21

Champ Fashion Editor-at-Large Ciana Mai Selects The Season's Top 5 Ready-to-Wear Collections

YUEN BETTEI DAITA

A Retreat In The Heart of Tokyo That Truly Transports You To Worlds Away

Site of Reversible Destiny

Arakawa and Gins Re-build Existing Perceptions to Extend the Human Lifespan

PARĪLIO

A Luxury Oasis on a Cycladic Island Without the Crowds

BEHIND THE SCENES OF ISSEY MIYAKE AW20/21

Backstage At Designer Satoshi Kondo's 'Making Speaking, Speaking Making'

Hill of the Buddha

Tadao Ando's Lavender-Lined Entrance to the Monumental Structure

LABRUM DESIGNS NATIONAL SPORTS UNIFORM FOR SIERRA LEONE

The Official Kits are for all 16 Disciplines, including the 2020 Olympics

Beauty Innovation 2020

Tokyo-based Design Studio we+ Combine Light, Wind & Shadow For Their Latest Window Installation

KAGIZEN YOSHIFUSA

Kyoto's Traditional Sweet Shop in the Heart of the Renowned Geisha District

THE CALILE

Sustainable In Design; Refined Contemporary Luxury At Brisbane's Most Impressive Urban Resort

LA MOCA

Kerry James Marshall | Mastry | MOCA, Los Angeles (on view until 3 July)

June, 2017

Kerry James Marshall | Mastry | MOCA, Los Angeles (on view until 3 July)

 

MOCA is pleased to present a 35-year retrospective of painter Kerry James Marshall, co-organized by the MCA Chicago, MOCA, and The Metropolitan Museum of Art under the leadership of MOCA’s Chief Curator Helen Molesworth. Marshall’s figurative paintings have been joyful in their consistent portrayal of African Americans. The now nearly 600 year history of painting contains remarkably few African American painters and even fewer representations of black people. Marshall, a child of the civil rights era, set out to redress this absence. “You can’t be born in Birmingham, Alabama, in 1955 and grow up in South Central [Los Angeles] near the Black Panthers headquarters,” Marshall has said, “and not feel like you’ve got some kind of social responsibility. You can’t move to Watts in 1963 and not speak about it. That determined a lot of where my work was going to go…”

​Installation view of Kerry James Marshall: Mastry, March 12–July 3, 2017 at MOCA Grand Avenue, courtesy of The Museum of Contemporary Art, Los Angeles | Photo by Brian Forrest
June, 2017