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OPTICKS

After A Decade and A Half, Japanese Contemporary Artist Hiroshi Sugimoto Recreates Sir Isaac Newton’s Prism Experiments

A WEST AFRICAN ROAD TRIP WITH ART COMES FIRST

Discovering Accra's Craftsmanship & Sustainable Culture Through The Eyes Of The Locals

DEKOTORA

Filmmaker Joe Almond Catches A Rare Insight Into The Fascinating Japanese Subculture

TOMONARI HASHIMOTO STUDIO VISIT

In Situ In The Famed Ceramic Region Shigaraki

TOMONORI HASHIMOTO

Three-Dimensional Geometric Works Exploring The Essence Of Being

JOE MORTELL

Transport Yourself To The Surreal Scenes & Brilliantly Vivid Worlds of the London-based 3D Designer

THE TOKYO EDITION, TORANOMON

The Epitome Of A Perfect Urban Getaway Spectacularly Designed by Ian Schrager & Kengo Kuma

UNITED ARROWS & SONS

Dramatic Spanish Columns & Curved Glass Facade in Central Tokyo, Designed by Ricardo Bofill Taller Arquitectura

BOTANICAL PAVILION

Japanese architect Kengo Kuma & Australian Artist Geoff Nees Create An Interlocking Timber Portal for NGV Triennale

EIKO ISHIOKA

Crossing All Realms: One of Japan's Greatest Creative Visionaries

U-JOINTS: THE BOOK

A Kickstarter Campaign Begins For A Monumental Encyclopaedic Print Taxonomy of Connections and Universal World of Joints

TAJIMI CUSTOM TILES

A New Contemporary Context and Value For The Humble Japanese Tile With Designer Kwangho Lee

TADANORI YOKOO ISSEY MIYAKE

A Piece Of Clothing — And A Legendary Japanese Artist

The Best of Spring/Summer 21

Champ Fashion Editor-at-Large Ciana Mai Selects The Season's Top 5 Ready-to-Wear Collections

Site of Reversible Destiny

Arakawa and Gins Re-build Existing Perceptions to Extend the Human Lifespan

PARĪLIO

A Luxury Oasis on a Cycladic Island Without the Crowds

LA MOCA

Kerry James Marshall | Mastry | MOCA, Los Angeles (on view until 3 July)

June, 2017

Kerry James Marshall | Mastry | MOCA, Los Angeles (on view until 3 July)

 

MOCA is pleased to present a 35-year retrospective of painter Kerry James Marshall, co-organized by the MCA Chicago, MOCA, and The Metropolitan Museum of Art under the leadership of MOCA’s Chief Curator Helen Molesworth. Marshall’s figurative paintings have been joyful in their consistent portrayal of African Americans. The now nearly 600 year history of painting contains remarkably few African American painters and even fewer representations of black people. Marshall, a child of the civil rights era, set out to redress this absence. “You can’t be born in Birmingham, Alabama, in 1955 and grow up in South Central [Los Angeles] near the Black Panthers headquarters,” Marshall has said, “and not feel like you’ve got some kind of social responsibility. You can’t move to Watts in 1963 and not speak about it. That determined a lot of where my work was going to go…”

​Installation view of Kerry James Marshall: Mastry, March 12–July 3, 2017 at MOCA Grand Avenue, courtesy of The Museum of Contemporary Art, Los Angeles | Photo by Brian Forrest
June, 2017