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LUCAS MUSEUM OF NARRATIVE ART

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Based in Tokyo for 13 Years, Driven By Authentic Storytelling in Design, Craftsmanship and Culture

Khao Yai Art Forest

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FOOD FOR EVERYONE

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A Quiet Concentration

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STUDIO HJRK

We Speak With Designer Hye-Jin Ris Kim Leading Seoul's Most Exciting Design Studio

Wulingshan Eye Stone Spring

In China, Vector Architects Designs A Secluded Hot Spring Facility

DUDDELL’S

Interior Design Wunderkind Andre Fu Transforms Hong Kong's Iconic Dining Institution

A Living Museum, The Spirit of Mingei

Step Inside The Late Potter Kawai Kanjirō's House

The Complexity and Wonderment of Astrophotography

Photographer Rami Ammoun Captures The Vastness of the Night Sky Through An Unimaginably Intricate & Layered Process

Hospitality Embedded With Community

A Retreat in Yamanaka Onsen Crafted by Mokkei & Hanamurasaki

KIOI SEIDO

A 'Modern Pantheon' In The Heart of Tokyo

KOFFEE MAMEYA KAKERU

The Art of Coffee Meets The Craft of Cocktails In A Spectacular Interior

Pieces of Japan Store and Workshop

A Mecca for Japanese Craftsmanship, POJ Studio Unveil Their Flagship Store in Kyoto

HOUSE IN TSURUOKA

Nakayama Architects Design A Residence In Consideration of the Region’s Distinctive Sea Breezes

Redefining Luxury At Four Seasons Osaka

The Distinctive Interiors Were Led by SIMPLICITY, CURIOSITY & SPIN

London

Harland Miller 'One Bar Electric Memoir' at White Cube Gallery Masons Yard, London

August, 2017
Harland Miller, One Bar Electric Memoir at White Cube London, Masons Yard (2017) Photo: George Darrell

White Cube Gallery in Mason’s Yard, London presents an exhibition investigating the relationship between viewer, text and image. In ‘One Bar Electric Memoir’, artist Harland Miller draws upon his extensive archive of psychology and social science books (dating back from the 60s and 70s).

Miller has painted them in their bold and colourful glory, with the books embracing a positive attitude of ‘fixing’ disorders through self help. Their parallels with abstract painting are evident when analysed together, and their original psychological purposes are evident – they were produced during the “post-war era when information was being made more available and being hungered for, too. It was often practical and pre-jargon and to do with fixing things – fixing society, fixing yourself…” Miller explains.
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‘One Bar Electric Memoir’ by Harland Miller runs until September 9, 2017.

Harland Miller, One Bar Electric Memoir at White Cube London, Masons Yard (2017)
Why Breathe In, Why Breathe Out (2017) Photo: White Cube (George Darrell)
Pot (2017) Harland Miller at White Cube Gallery, London. Photo: George Darrell
The Future, You May Not Like it Now, But You Will (2017) Photo: White Cube (George Darrell)
August, 2017