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PARKHOTEL MONDSCHEIN

A Rich Cultural History Combined with a Refined Design Aesthetic at this Modern Luxe Hotel

FUFU KYOTO

An Intimate Luxury Hotel that Entwines Traditional Japanese Dining, Architecture and Hospitality with Modern Elegance

JACQUEMUS PARIS

A Pure Interior Led By Playfulness and Surprise

The Gdańsk Shakespeare Theatre

The Charred-Brick 'Black Box' Presenting The Beauty Of Theatre & Performance

GAIA

British Artist Luke Jerram’s Explores The Vastness of Our Earth

Honouring ISSEY MIYAKE

The Legacy Remains: Merging Art & Fashion, East & West, Tradition & Technical Innovation

UNITED PLACES BOTANIC GARDENS

Local and Luxurious, A Melbourne Boutique Hotel That Gets It Right

Naoshima Ryokan ROKA

Designed by Okayama-based studio Nottuo, a New Modern Stay on Japan’s ‘Art Island’

Restaurang ÄNG

NORM Architects Creates A Light-Filled Glasshouse For The Michelin-Starred Restaurant

JAPANESE CRAFTSMANSHIP: BAMBOO WEAVING

In The Quiet Backstreets Of Kyoto's South Higashiya, Find A Master Craftsman

HOMME PLISSÉ ISSEY MIYAKE SS23

As Ever, The Joy Of Movement & Ease of Pleats Prevails

Serpentine Pavilion 2022

Artist Theaster Gates Designs the 21st Pavilion

BRUT-AL

Argentinian-Australian Designer Alexander Lotersztain's Ode to Brutalism

Serpentine Pavilions 2000-2021

A Champ Online Retrospective Of Two Decades of The Radical Architectural Event

PURE FORM

The Art Gallery of South Australia Presents Japan's Avant-Garde Ceramics

KABIRA & KANGRI

The Beauty Of Indian Textile Craftsmanship In ISSEY MIYAKE Sub-Brand HaaT's SS22 Collection

London

Harland Miller 'One Bar Electric Memoir' at White Cube Gallery Masons Yard, London

August, 2017
Harland Miller, One Bar Electric Memoir at White Cube London, Masons Yard (2017) Photo: George Darrell

White Cube Gallery in Mason’s Yard, London presents an exhibition investigating the relationship between viewer, text and image. In ‘One Bar Electric Memoir’, artist Harland Miller draws upon his extensive archive of psychology and social science books (dating back from the 60s and 70s).

Miller has painted them in their bold and colourful glory, with the books embracing a positive attitude of ‘fixing’ disorders through self help. Their parallels with abstract painting are evident when analysed together, and their original psychological purposes are evident – they were produced during the “post-war era when information was being made more available and being hungered for, too. It was often practical and pre-jargon and to do with fixing things – fixing society, fixing yourself…” Miller explains.
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‘One Bar Electric Memoir’ by Harland Miller runs until September 9, 2017.

Harland Miller, One Bar Electric Memoir at White Cube London, Masons Yard (2017)
Why Breathe In, Why Breathe Out (2017) Photo: White Cube (George Darrell)
Pot (2017) Harland Miller at White Cube Gallery, London. Photo: George Darrell
The Future, You May Not Like it Now, But You Will (2017) Photo: White Cube (George Darrell)
August, 2017