DONALD JUDD: SPECIFIC FURNITURE —Ala Champ
Ala Champ
00:00/

THE GOLDEN LAND: JOAN DIDION’S PERSONAL GEOGRAPHY

Writer Magdalena Lane's Dedication to the Literary Innovator and Cultural Icon

The Complexity and Wonderment of Astrophotography

Photographer Rami Ammoun Captures The Vastness of the Night Sky Through An Unimaginably Intricate & Layered Process

THE FUTURO HOUSE

In Japan, 1960's Architectural Utopianism That Still Stands To This Day

KEIGA KEIGA

Surplus Value Center: Between Real and Virtual Worlds in Clothing & Wearable Products

SATOSHI KONDO’S ISSEY MIYAKE SS22

"Down Below in the Deep, Thrives a World full of Life, Vivid and Beautiful.”

X-RAY FLOWERS

Tokyo-Based AMKK's Latest Radical Exploration Of The World Of Flowers

THE BEST OF SPRING/SUMMER 22

Champ Fashion Editor-at-Large Ciana Mai Selects Her Top 5 Collections This Season

YUICHIRO NODA

The Tokyo-based Photographer On Capturing The Essence of Water, Light and Air — "Something What Cannot Be Seen"

NOGUCHI, A TRUE POLYMATH

The Barbican in London Presents A Concise Look at the Pioneering Artist

KENTA UMEMOTO

Paris-based Photographer on "Finding The Value in Changes, Attempting to Capture The Beauty of Imperfection in Daily Life."

INI ARCHIBONG

“An Object Should Communicate An Idea to the People Coming in Contact With It. It’s a Three-Dimensional Standing Piece of Poetry.”

A-POC ABLE ISSEY MIYAKE / KYOTO

Designer Tokujin Yoshioka Renovates A 200-Year-Old Machiya, Balancing Heritage With Innovation

TOM SACHS: SPACE PROGRAM

Karl Hab Photographs the Rare Earths Launch in Hamburg

MOGANA

Unique To The Rest: A Kyoto Boutique Hotel with Sleek, Design Minimalism And Contemporary Charm

MACq 01

Waterfront Views, Natural Tasmanian Timbers and Modern Design Completes Hobart's Most Conveniently-Situated Luxury Hotel

ABSORBED IN THOUGHT

Artist Lee Ufan Presents New Works at Pace Gallery East Hampton

DONALD JUDD: SPECIFIC FURNITURE

Judd's Furniture Designs and His Incomparable Design Collection Share an Undeniable Joint Philosophy and Approach, Now on Display at SF MoMA

July, 2018
101 Spring Street, New York. © Judd Foundation | Pictured: Donald Judd, Single Daybed 32 (1978); and unknown, kitchen and stove tables (n.d.)

American artist Donald Judd was not only one of the most pivotal artists of the twentieth century, but he was also a designer and avid collector of good design, with his furniture collection and his work works presented in the ‘Donald Judd: Specific Furniture’ exhibition currently on display at the San Francisco Museum of Modern Art.

Now held and overseen by the Judd Foundation, Judd’s furniture designs and personal collection of other designers’ works are monumental together. Together sharing a unique design language of exploring spatial principles and form, this underlying philosophy has by default ensured the works remain timeless, acting as a constant reference for working architects and designers alike. Form and function are aligned, guided by the exploration of scale and solidified by permanence. This distilled design language is evident throughout Judd’s furniture works, art and architecture, upholding his overall original and uncompromising holistic approach.

Minimalist yet innovative, Judd’s ingenious furniture designs stemmed from a lack of available pieces that he himself wanted to use, with his own furniture design filling that void. Tables, desks, chairs and beds, these pieces were used on a daily basis. Judd would call his furniture design “specific objects” and this almost self-explanatory. Although they were made from the same materials as his artworks, Judd would clarify the contrast between sculpture and furniture, explaining “The difference between art and architecture is fundamental. Furniture and architecture can only be approached as such. Art cannot be imposed upon them. If their nature is seriously considered the art will occur, even art close to art itself.”

Library, 3rd Floor, 101 Spring Street, New York. © Judd Foundation | Image: Maurizio Alejo | Pictured: Alvar Aalto, Stool 60, Chairs 21, and Table 70 (all 1932–33); and Donald Judd, Library Shelves (1973)

The very first piece of furniture Judd made was his bed, situated on the fifth floor of his home in New York, a large cast-iron building on 101 Spring Street which he bought in 1968. The bed is a simple platform of wooden boards, serving a practical purpose of allowing space to float through the room, with the design also framing the mattress as if it were a canvas. Judd would emphasise that the space surrounding the work was just as important as the work itself.

Judd would also design for his children, Rainer and Flavin, practical items such as their beds, school desks and chairs. When Judd’s father retired in 1968, he devoted himself to woodwork and would help realise Donald’s ideas. It was in 1971 when Judd relocated from New York to Marfa, Texas, where wide, open landscapes were on offer. Exactly what Judd was seeking, Judd bought buildings and ranch land in Marfa, also building an architecture studio, an art studio, a writing office and a library.

Fourth Floor, 101 Spring Street, New York. © Judd Foundation | Pictured: Donald Judd, Fourth Floor Table 19 and Fourth Floor Low Table 18 (both 1981), and Serving Table 64 and Cart 62 (both 1985); Gerrit Rietveld, Zig-Zag Chairs (1934); and unknown, Swedish armchair (n.d.)
101 Spring Street, New York. © Judd Foundation | Pictured: Donald Judd, Fifth Floor Bed (1970); and unknown, Italian porter bench (n.d.)
North Library, The Block, Marfa, Texas. © Judd Foundation | Pictured: Donald Judd, 19.75-Inch Frame Chairs 67, 49.5-Inch Frame Table 70, and 19.75-Inch Frame Stool 68 (all 1989)

In both his homes (101 Spring Street in New York and Marfa, Texas now maintained by the Judd Foundation) it is evident how Judd wanted to live his life, surrounding himself with good design. A big collector of minimalist furniture design, he was drawn to work which had been created with a clear intention.

Judd held an unrivalled collection of some of the best designs in the world. The iconic designs of pioneering designers such as Finnish architect and designer Alvar Aalto, German-American architect Mies van der Rohe, Hungarian-born architect and designer Marcel Breuer, American architect and interior designer Frank Lloyd Wright, Dutch designer and architect Gerrit Rietveld, and Austrian-born American architect Rudolph Schindler were all present in his homes. He lived with these works, utilised them, and found inspiration in them. The logic of creating non-ornamental furniture, pure in form and intention, was a shared trait amongst the heavyweights.

Judd’s on-going investigation into how objects relate to the space they are in, and their ability to transform the space, was a continuous practise, right until his death in 1994.

Not only does the Donald Judd: Specific Furniture exhibition provide a broader insight to Judd’s creative practice and environment, but it emphasises his singular vision and uncompromising approach. His exploration of scale and proportion is evident amongst all works on display, a simple calculation for better living.

Architecture Studio, Judd Foundation. Marfa, Texas. © Judd Foundation | Image: Elizabeth Felicella / Esto
Architecture Studio, Marfa, Texas. © Judd Foundation | Pictured: Alvar Aalto, Stool 60 (1932–33); Donald Judd, 49.5-Inch Frame Table 70 (1989); Ludwig Mies van der Rohe, MR Side Chair (1927); Gerrit Rietveld, Red Blue Chair (1918–23); and Karl Trabert, Desk Lamp (ca. 1930)
Architecture Office, Marfa, Texas. © Judd Foundation | Pictured: Donald Judd, Armchair 1 (1984); 14.75-Inch Frame Stool 70 (1989); Standing Desk 78, Architecture Desk 74, Plywood Desk 75, and Architecture Table 73 (all 1990); and Plywood Bookshelf 94 (1992)
Architecture Studio, Marfa, Texas. Alvar Aalto, Stool 60 (1932–33); Donald Judd, Desk 33 and Side Shelf Chair 84 (both 1982); Gerrit Rietveld, Red Blue Chair (1918–23); and Karl Trabert, Desk Lamp (ca. 1930)
Whyte Building, Marfa, Texas. © Judd Foundation | Pictured: Donald Judd, Center-Pivot Door (1981); and Rudolph M. Schindler, Sling Chair, Low Stool, and Sofa (all 1922)

Donald Judd: Specific Furniture

Exhibiting from July 14 until November 4, 2018

SF MoMA

Southeast Studio, The Block, Marfa, Texas. © Judd Foundation | Pictured: Gustav Stickley, Even-Arm Settle 208 (1904)

All images © Judd Foundation | Written by Monique Kawecki | London-based Editor In Chief 

July, 2018