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HIGHLIGHTS FROM AW25

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Omotenashi Hobart

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LIVE TWICE

A Cocktail Bar That Transports Guests To Mid-Century Japan

NOMA KYOTO ’24

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MAZ TOKYO

From South America To Japan, Discover New Ecosystems, Altitudes and Diverse Terroirs Through A Culinary 'Vertical Gaze'

José Parlá: Homecoming

The Expressionist Painter Returns To His Roots

AUBERGE TOKITO

Discover True Luxury Through The Poetics of Japanese Aesthetics & Graceful Cuisine Led By Chef Yoshinori Ishii

BAR LEONE

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OGATA at The Shinmonzen

Discover the Curated T., Collection in Kyoto

WATER/GLASS

Kengo Kuma's Early Work Evokes Transparency Paired With A Stunning Japanese Coastline

LEE UFAN ARLES

A New Artistic Endeavour By Korean Artist Lee Ufan & Japanese Architect Tadao Ando

HANAMURASAKI

A Historic Ryokan In One Of Japan’s Famed Onsen Towns Sees A Modern Emergence

MUSASHI BY AMAN

Master Sushi Chef Driven By A Deep Respect For Nature, Tradition & Craftsmanship

ALKINA WINE ESTATE

It’s All In The Soil - Global Expertise and Regenerative Practices Lead The Way At This Barossa Winery

URBAN ZEN AT AMAN TOKYO

A Tranquil Sanctuary to Stay, High Amongst The Tokyo Skyline

URBAN RECHARGE IN THE HEART OF TOKYO

Keiji Ashizawa and Norm Architects Design the Latest TRUNK(HOTEL) Overlooking Yoyogi Park

Rhythm In Monochrome

The Pivotal Korean Abstract Painting Movement On View at The Tokyo Opera City Art Gallery

October, 2017
LEE U-Fan, From Line (1976) Mineral pigment, oil on canvas. Tokyo Opera City Art Gallery (Photo: HYAKAWA Koichi)

The Tokyo Opera City Art Gallery presentsRhythm in Monochrome – Korean Abstract Painting’, a key and concise reflection of Korea’s unique abstract painting movement. Presenting artworks characterised by minimalism and repetition, from “the serene, refined air acquired by these artists as they overcame difficulties and struggles.”

The exhibition presents the development of Korean abstract painting (also known as the Dansaekhwa movement (Korean monochrome painting)) through the works of 19 artists, particularly those who were integral in it’s founding, such as Lee Ufan, Park Seo-Bo, Kwon Kim Whanki, Quac In-Sik, Lee Se-Duk, Young-Woo, Chung Chang-Sup, Yun Hyong-Keun, Chung Sang-Hwa and Ha Chong-Hyun.

The works hold a common thread of repetition and restricted beauty, all refined in their own individual way, through each artist overcoming their own difficulties and struggles post-war. During this influential post-World War II era, it was also a time that these artists fought against adversity to develop and shape Korean art as a form of national identity.

SUH Seung-Won, Tokyo Opera City Art Gallery (Photo: HYAKAWA Koichi)

Rhythm in Monochrome | Korean Abstract Painting

Tokyo Opera City Art Gallery, Tokyo
Saturday, 14 October – Sunday, 24 December, 2017

LEE U-Fan, With Winds (1989) Mineral pigment, oil on canvas. Tokyo Opera City Art Gallery (Photo: SAITO Arata)
PARK Seo-Bo, Ecriture No.000508 (2000) Mixed media with Korean paper on canvas. Mie Prefectural Art Museum
PARK Seo-Bo, Ecriture No.27-77 (1977) Oil and pencil on canvas, Fukuoka Asian Art Museum
CHUNG Sang-Hwa, Untitled 91-3-9 (1991) Acrylic on canvas. Tokyo Opera City Art Gallery (Photo: HAYAKAWA Koichi)
KWON Young-Woo, Untitled (1982) Korean paper, Private collection, Seattle Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo
October, 2017