Several works reach back to Jarvis’s childhood bedroom, grounding the exhibition in a formative space where her ways of seeing first took shape. Silk works suspended before mirrors, producing live double exposures that respond to the viewer’s movement through the space, while collage works combine C-prints and aluminium prints within single frames, where the relationship between images carries its own quiet meaning.

The exhibition culminates in a moving image work drawing on personal archival footage, recent video, and newly recorded audio — weaving together conversations on motherhood, health, labour, and memory into something deeply personal and considered.

As an early Ala Champ Magazine collaborator, Shaniqwa’s work has a signature identity, her portraiture is incomparable. Creating creative and original editorials for our print issues, where every person she photographed was able to shine through her lens.

Now expanding her artistic practise, the depth to Shaniqwa’s work is now being shown across the world from New York and Los Angeles to London and Tokyo. Institutions such as LACMA, MOCA, and the Hammer Museum recognise this, with her work held in their permanent collections.

Alongside the exhibition, Jarvis releases her second book GUTS, published by Super Labo, with the book launch at Climax Books in London.